This action touched Edward and finally caused him to call him father. He also finally apologized for leaving them and takes a form of responsibility, saying if he never had left them the boys would have never tried human transmutation to bring back their mother and lose their bodies when he should have been there for them as their father.
After defeating Father, Hohenheim offers himself to be used for the human transmutation and states that his reason is that Ed and Al are his sons. In the meantime, Hohenheim recognizes that Edward has a great deal in common with him and tries to make it clear that he understands the hardships Edward has been forced to endure, mentoring him casually and providing advice and guidance for the future. While attempting to shakily create a relationship with his boys, he absorbed Edward's hatred and abuse with good nature while nurturing Alphonse's indelible affection for his father.
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Even though he loved her dearly, part of his purpose for leaving was to find a way to join his love in death when her time came.Įstranged from his two sons due to his ten-year absence, Hohenheim felt a great amount of guilt over leaving them alone as he is unsure how to deal with them upon his return. Having discovered a person with whom he truly and deeply connected, Hohenheim immediately fell in love with Trisha and began to desire a normal life so as not to be left existing without her. Trisha was the love of Hohenheim's life who is personally responsible for bringing about changes in his worldview. Van Hohenheim lacked the ambition of others, clearly content to take his time dealing with things that do not demand urgency, but in his youth had a hair-trigger temper much like that of his son, Edward, and became irrationally angry when taunted for his ignorance. Chief among his personality traits appeared to be his hopeless romanticism, given his propensity for spouting sappy lines about his love for Trisha Elric, his readiness to weep openly over her, and his charming treatment of women in general. Slow to anger and apparently a bit of a pacifist, Van Hohenheim would've rather talked out disputes than fight, frequently doing so even while he himself was under vicious attack.
Hohenheim appeared to care very little for his own well-being, much less his dignity (because he thought of himself as a monster because he became a Human Philosopher's Stone), and was therefore often put in situations that give him the impression of being goofy or eccentric, adding greatly to the series' comic relief. Though Hohenheim's devotion to Alchemy and the mysterious circumstances surrounding his abandonment of his family gave the impression that he was cold, instead, he is an unexpectedly softhearted, kindly individual who is quick to give compliments but loathes accepting them. In the 2003 anime series, Hohenheim sported a slightly doughier build, a softer jawline, and darker hair. In his youth, Hohenheim looked much like his son Edward, save for slightly increased height and a slightly more pronounced jaw. In the manga, Hohenheim frequently wore a white dress shirt and tie under a black vest with matching slacks and a brown overcoat. He had been described as "very handsome" by several women over the course of the series. He also wore spectacles over his golden eyes, though whether or not he needed them is unknown.
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He wore his long, golden-blond hair in a loose, shoulder-length ponytail with two or three loose strands of hair falling over his brow and sports a full Donegal-style beard on his square jaw. Hohenheim has a fairly tall, broad-shouldered gentleman with the appearance of a man of relatively healthy middle-age.
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